But he didn’t stop there. As the afternoon turned to dusk, a sudden flash of orange illuminated the sky—a for Lord Murugan. The vibrant colours of the kavadi, the rhythmic beating of drums, the fervent chants—Thevidiya’s lens captured it all, but he also added a twist: he placed a QR code beside each print, linking viewers to oral histories recorded from the participants. In this way, the photographs became portals, not just static images.
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One evening, as the monsoon clouds gathered over the , Thevidiya walked along the promenade, his cane tapping on the sand. He saw a group of teenagers huddled around a smartphone, laughing as they captured the reflection of a paper boat floating on the water. He approached them and asked, “What story do you want this boat to tell?” In this way, the photographs became portals, not
A shy boy answered, “We want it to show how our city is changing—how old traditions still float in the new waves.”
It was a sweltering July morning when Thevidiya received a call from , his old friend from college, now the director of the Tamil Nadu State Archives. “We need you, Thevi,” Madhavan said, his voice trembling with a mixture of excitement and urgency. “The state is launching a digital museum—‘Tamil Thevidiya: A Living Archive.’ We want you to curate and update the collection of historic photographs. Not just digitize them, but reinterpret them for the modern eye.”