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The advent of streaming and prestige television (which influences film) has introduced the "serial blended family"—where characters cycle through multiple step-situations. Films like Marriage Story (2019) focus on the divorce that precedes blending, while The Lost Daughter (2021) portrays a mother so overwhelmed by the demands of biological motherhood that blended arrangements seem impossible. A recent notable film is The Fabelmans (2022), where Steven Spielberg autobiographically depicts his parents’ divorce and his mother’s subsequent relationship with "Uncle" Benny—a gentle, non-patriarchal blending that the young protagonist accepts even as he resents it. This signals a maturation: the contemporary blended film no longer demands a neat resolution. It is comfortable with ambiguity, with step-relationships that are "good enough" rather than perfect.