Jamiroquai - Discography -1993-2017- -flac- -dj- Jun 2026

| Year | Release (album) | Notes for DJs / FLAC suitability | Key tracks (DJ-friendly) | |------|------------------|----------------------------------|--------------------------| | 1993 | Emergency on Planet Earth | Debut — many releases available in lossless reissues | "Too Young to Die (Edit)", "Emergency on Planet Earth (Album Edit)" | | 1994 | The Return of the Space Cowboy (1994 US release) — original 1994 | Soul/funk grooves; remixes exist on singles | "Space Cowboy (Original 12" Mix)", "Journey to Arnhemland (Edit)" | | 1996 | Travelling Without Moving | Popular with DJs; contains funk/disco influence; several 12" remixes (e.g., "Virtual Insanity" promos) | "Cosmic Girl (Calderone/12" Mix)", "Virtual Insanity (Club Edit)" | | 1999 | Synkronized | Dancefloor-ready production; singles with club remixes | "Canned Heat (Botnek/12"/Extended Mix)", "Alright (Remix edits)" | | 2001 | A Funk Odyssey | Disco-house influence; numerous club remixes and extended versions | "Little L (Extended Mix)", "Love Foolosophy (Club Mix)" | | 2005 | Dynamite | Guitar-driven; fewer club remixes but FLAC album tracks work for DJs preferring live-band sets | "Feels Just Like It Should (Album Version)" | | 2010 | Rock Dust Light Star | Organic rock/funk; less club-oriented but high-quality masters available | "Blue Skies (Album Edit)" | | 2017 | Automaton | Electronic-oriented; suitable for modern DJ sets; several remixes and radio edits exist | "Automaton (Extended Mix)", "Cloud 9 (Remix)" |

You might ask: “Isn’t 320kbps MP3 good enough for a club?” Jamiroquai - Discography -1993-2017- -FLAC- -DJ-

Finally, in 2017, after a seven-year silence, the Automaton awakens. The hat is now a glowing, kinetic piece of technology. The music is a fusion of classic soul and sci-fi disco, proving that even after nearly 25 years, the "Buffalo Man" hasn't lost his step. For a DJ, this 1993-2017 collection isn't just a folder of high-fidelity audio; it’s a chronological map of how to keep a dance floor moving across three different decades. | Year | Release (album) | Notes for

For the DJ, this album is a treasure trove of "digable" breaks. The title track, with its didgeridoo drone and heavy syncopation, demands the dynamic range that FLAC provides. The low-end theory of Stuart Zender’s bass lines on tracks like "Too Young to Die" is a benchmark for sound system calibration. Here, the production is raw, almost garage-like, preserving the organic humidity of the London underground scene. It is the sound of a band playing live in a room, captured before the polish of subsequent decades took hold. For a DJ, this 1993-2017 collection isn't just