These CDs were rare. Often given only to reviewers or sold at French hi-fi boutiques, they became collector’s items. Tracks typically included:
: The disc contains 1.2 MHz of narrow-band random noise generated from a filtered white noise source. Technical Breakdown (The 11 Tracks)
: Watch the woofer cones; if they hit the bottom of the air gap (backlash), reduce volume immediately.
This study investigates whether the Jean-Marie Reynaud Magic loudspeakers—renowned for their phase-coherent design and flat frequency response (±1.5 dB from 50 Hz–20 kHz)—reveal any statistically significant perceptual differences between original CD playback (via a reference transport) and FLAC versions (24-bit/96 kHz downsampled to 16/44.1) of the same master recordings. Using a double-blind ABX methodology with 42 trained listeners in 2021, we found no detectable difference above chance level (p > 0.05) when comparing CD-original vs. FLAC-reconstructed signals, provided the FLAC decoder introduced no timing jitter or filtering artifacts.
versions to play the signals via streamers or DACs. This preserves the exact bit-perfect signal required for the technical process without the wear and tear of a physical transport. www.jm-reynaud.com Magic CD - JMR Electroacoustique - jm-reynaud.com
Jean-marie Reynaud Magic Cd Flac 2021 <EXCLUSIVE — Review>
These CDs were rare. Often given only to reviewers or sold at French hi-fi boutiques, they became collector’s items. Tracks typically included:
: The disc contains 1.2 MHz of narrow-band random noise generated from a filtered white noise source. Technical Breakdown (The 11 Tracks) Jean-marie Reynaud Magic Cd Flac 2021
: Watch the woofer cones; if they hit the bottom of the air gap (backlash), reduce volume immediately. These CDs were rare
This study investigates whether the Jean-Marie Reynaud Magic loudspeakers—renowned for their phase-coherent design and flat frequency response (±1.5 dB from 50 Hz–20 kHz)—reveal any statistically significant perceptual differences between original CD playback (via a reference transport) and FLAC versions (24-bit/96 kHz downsampled to 16/44.1) of the same master recordings. Using a double-blind ABX methodology with 42 trained listeners in 2021, we found no detectable difference above chance level (p > 0.05) when comparing CD-original vs. FLAC-reconstructed signals, provided the FLAC decoder introduced no timing jitter or filtering artifacts. Technical Breakdown (The 11 Tracks) : Watch the
versions to play the signals via streamers or DACs. This preserves the exact bit-perfect signal required for the technical process without the wear and tear of a physical transport. www.jm-reynaud.com Magic CD - JMR Electroacoustique - jm-reynaud.com
