The road to Nairobi was a tapestry of colors, sounds, and smells. Aisha rode a battered, turquoise‑painted matatu, its windows plastered with stickers of past movies and slogans like “Africa’s Voice, Our Vision.” The driver, a jovial man named Juma, sang along to the radio, a mix of Bongo Flava and Afro‑jazz, his voice rising over the rumble of the engine.
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