During the COVID-19 lockdowns, raves moved online. Producers who previously played live sets suddenly had months of studio time. A wave of new artists (D.T.M., Tekktonik, Noisemitter) flooded SoundCloud and Bandcamp. The competition was fierce. To stand out, you needed professional-grade distortion, not amateur clipping.
During the COVID-19 lockdowns, raves moved online. Producers who previously played live sets suddenly had months of studio time. A wave of new artists (D.T.M., Tekktonik, Noisemitter) flooded SoundCloud and Bandcamp. The competition was fierce. To stand out, you needed professional-grade distortion, not amateur clipping.
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