: This term often points toward a modern creative voice or collaborator, serving as a muse or a specific cityscape reference within the digital art and streetwear scenes.
While no public catalog confirms this exact title, Edmont has exhibited works where she downloaded found images from Brazilian news sites from the 1970s, reprinted them as large-format inkjet prints (JPEG artifacts included), and then overpainted sections. Asked if these are “originals” or “fakes,” she responds: “Both. The file is a fake of a lost photograph. The painting is an original fake of a fake.” This is the conceptual core of the keyword. renata vasconcellos edmont original fakes brasiljpg work
