Povd.23.01.20.olivia.madison.car.breaks.down.xx... [repack] -
Ugh, why did it have to happen today of all days? I was already running late for a meeting with a potential new client for Madison & Co., the marketing firm I co-founded with my best friend, Rachel. We were supposed to pitch our innovative social media strategy to a prominent local business, and I was determined to make a killer impression.
As I stood on the desolate stretch of highway, the scorching sun beating down on my skin, I couldn't help but feel a sense of frustration wash over me. My trusty car, which had been my faithful companion for countless road trips and daily commutes, had finally given up on me. The once reliable engine now sputtered and died, leaving me stranded in the middle of nowhere. POVD.23.01.20.Olivia.Madison.Car.Breaks.Down.XX...
The following content is a work of fiction. Any resemblance to real events or individuals is purely coincidental. Ugh, why did it have to happen today of all days
We are the camera. We are the stranger who pulls over. As I stood on the desolate stretch of
Additionally, the male POV actor is almost entirely silent (standard for the series), but here it creates a few awkward pauses where Olivia is essentially monologuing. A few grunted responses or physical cues would have smoothed the transition from “stranger danger” to intimacy.
If anything, I would have been more open to an expanded role for Beorn, rather than the Legolas/Tauriel arc.
I think we've come to a place where movies are so bad (lame propaganda written by adults who cry a lot) that yesterday's bad movies seem kind of fun by comparison.
I don't think I'll get past the fact that *The Hobbit* has the wrong tone in nearly every single scene: dramatic and scary where it should be adventurous, or silly where it should be miserable (as when they enter Mirkwood). Not to mention about half of it is an advertisement for a trilogy I've already watched.
But hey, at least it isn't about Trump.