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What should be a tight 90-minute feature is often stretched into a four-part series. To justify runtime, editors rely on endless B-roll of empty mansions, slow-motion printer ink, and re-enactments of text messages floating through space. The actual information—the contract dispute, the affair, the embezzlement—is usually exhausted by the end of episode two.

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In an era of "autobiographical" pop docs that feel more like 90-minute Grammy campaign ads, director Elena Vasquez’s Center Stage: The Price of the Spotlight is a bracing antidote. It’s not a puff piece. It’s a three-hour, uncomfortably intimate autopsy of the machinery behind the magic. What should be a tight 90-minute feature is