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He set to work on his automotive animation. With each pass of the Cutmaster, the car’s interior peeled away like a perfectly timed onion—layers revealing the engine, the wiring, the fluid channels—all rendered with a crispness that made the audience feel like they could reach out and touch the pistons. The transitions flowed, the shadows shifted, and the final render looked less like a 2‑D illustration and more like a living, breathing blueprint.
