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Mature women are finally allowed to be bad . In The White Lotus (Season 2), Jennifer Coolidge (61) plays a tragic, messy, sexually voracious heiress whose manipulation is both pathetic and brilliant. Glenn Close in The Wife and Olivia Colman in The Lost Daughter portray women who have made monstrous sacrifices for their families and careers, refusing to apologize for their ambition.

Cinema is no longer satisfied with the "MILF" or the "Nana." Today, mature women in cinema are being written with the same moral complexity as their male counterparts. Here are the archetypes that are finally having their moment. annabelle rogers kelly payne milfs take son hot

Diversity in key creative roles has seen a "relapse" according to industry analysts. Mature women are finally allowed to be bad

The screen is bigger now. And it has room for all of them. Cinema is no longer satisfied with the "MILF" or the "Nana

The film didn't just win awards; it broke the box office. Suddenly, the "mature" demographic—the women who actually had the disposable income to go to the movies—flocked to theaters.