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Even the sensitive topic of —often hidden beneath the state's high-development indices—has been relentlessly explored. Parava (2017) showed the casual segregation in the blue-collar neighborhoods of Mattancherry. Kesu Ee Veedinte Naadhan (2021) didn't pull punches about upper-caste domination in village politics. These films remind the audience that the "Kerala Model" is still a work in progress.

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Malayalam cinema, often called , is a powerful reflection of Kerala’s unique social fabric, blending deep-rooted traditions with progressive modern values. Unlike many other Indian film industries, it is celebrated for its realistic storytelling These films remind the audience that the "Kerala

The portrayal of the (ancestral matrilineal home) has shifted dramatically over time. In the classics of the 80s ( Oru Vadakkan Veeragatha ), the Nair house was a fortress of honor and chivalry. By the 2010s, in films like Ee.Ma.Yau (2018) , the tharavadu becomes a crumbling symbol of a dying ego. Lijo Jose Pellissery’s masterpiece follows a family trying to give a deceased patriarch a "grand funeral" (a massive status symbol in Latin Catholic and certain Hindu communities of Kerala). The film dissects the absurd cost of rituals, the performative nature of grief, and the class divides that persist even in death.

The cinema asks: What is the cost of the "Gulf money"? Broken families, alcoholic fathers, aging parents left behind in lonely tharavadus , and a generation of children raised by uncles and aunts. Malayalam cinema refuses to glorify the NRI dream without showing its hollow underbelly.

: Plays a prominent lead role alongside Alencier.