Let’s be honest: Episode 1 looked like it was filmed on a 2010 iPhone. Episode 2 was marginally better. But Episode 3 benefits from a sudden injection of budget. The lighting is moodier, the confessional interviews are crisp, and the sound editors have finally figured out how to balance the background music with the shouting. There is a particularly haunting scene where the turntable creaks in slow motion, overlaid with a ambient synth score—something entirely absent in the first two episodes.